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In the soil, in the sound: Houston's Jamal Cyrus gets to the root of Southern Black aesthetics
Alysia Nicole Harris, Scalawag, November 17, 2022 -
Strands of the past, layer upon layer
Scott Cantrell, The Dallas Morning News, June 12, 2022 -
Review: Jamal Cyrus at the Modern Art Museum of Fort Worth
Betsy Lewis, Glasstire, May 2, 2022 -
The Pace of Place: Jamal Cyrus at The Modern
Nancy Zastudil, Arts and Culture Texas, April 12, 2022 -
Art, sound and science collide in Moody Center’s ‘Soundwaves’
Andrew Dansby, Houston Chronicle Preview, February 11, 2022 -
Institute of Contemporary Art, Los Angeles Host First Time Exhibitions: Presenting Black Identity and The Effects of Mar
Betti Halsell, Los Angeles Sentinel, February 10, 2022 -
The South Still Has Something to Say
Amarie Gipson, Houstonia, December 31, 2021 -
How Prospect.5 Captures the Tenacious Spirit of New Orleans
Melissa Feldman, Galerie, November 24, 2021 -
The End of My Beginning: Jamal Cyrus at the Blaffer
Garland Fielder, Glasstire, August 3, 2021 -
Houston Artist Jamal Cyrus’s Playful, Subversive Vision of Black History
Molly Glentzer, TexasMonthly, July 15, 2021 -
Art Meets Its Soundtrack Deep in ‘The Dirty South’
Holland Cotter, The New York Times, July 15, 2021 -
Houston Artist Jamal Cyrus Tells Us About Finding Inspiration in the City’s Under-Researched Art History and His Studio
artnet news, June 15, 2021 -
New Historiography for Black Excellence: Jamal Cyrus “The End of My Beginning” at the Blaffer Art Museum
Caitlin Duerler Chávez, The Art Studio INC., June 1, 2021 -
Please Form a Straight Line (And More) At Blue Star
Neil Fauerso, Glasstire, March 1, 2021 -
Houston Museum of African American Culture’s ‘Souls of Black Folk’ shows little has changed
Molly Glentzer, Houston Chronicle, July 6, 2020 -
Houston Museum of African American Culture reopens with ‘Souls of Black Folk’
Molly Glentzer, Houston Chronicle Preview, June 22, 2020 -
Project: Jamal Cyrus
ArtForum, June 1, 2020 -
Houston-Based Artist Jamal D. Cyrus on Receiving 2020 David C. Driskell Prize: ‘The Symbolism is Extremely Important to
Victoria L Valentine, Culture Type, February 12, 2020 -
JAMAL D. CYRUS WINS HIGH MUSEUM OF ART’S 2020 DAVID C. DRISKELL PRIZE
ArtForum, February 12, 2020 -
LALA DISPATCH: COLLECTORS RIC & TINA PERRY-WHITNEY ON ART THAT FUELS YOU
DOMINIQUE CLAYTON, Culture Mag, February 11, 2019 -
Critics' Picks: Jamal Cyrus
Natilee Harren, ArtForum, November 8, 2018 -
BMW Art Journey And Art Basel Take On Cultural Identity, Slavery And Migration
Nargess Banks, Forbes, July 31, 2018 -
Jamal Cyrus Selected as BMW Art Journey Award Winner
Artforum, March 9, 2018 -
The Freshman Class: 5 Galleries Making a Splash With Their First Time at Art Basel Miami Beach
Caroline Goldstein, Artnet News, December 6, 2017 -
Art Basel Miami Beach: New Show Design, New Energy
Anita Gates, The New York Times, December 5, 2017 -
Revolutionary Spirit: Innovation and emerging talent take center stage in the Nova and Positions Sectors
Meghan Watson-Donald, Art Basel Miami Beach Magazine, December 1, 2017 -
Strains of Dissent: Art and Music at MOCAD
Sarah Rose Sharp, Art in America, September 29, 2017 -
“Standardzenbluz” by Jamal Cyrus at the Inman Gallery, Houston
ISABELLA MASON, BLOUIN ARTINFO, December 21, 2016 -
The Coolest Thing to Hit Downtown Houston in Ages (R.I.P. Michael Condray)
Chris Gray, Houston Press, March 23, 2016 -
Sunrise in Different Dimensions
Ian Bourland, Frieze Contemporary Art and Culture, January 1, 2016 -
The Freedom Principle review – an astounding fusion of jazz and art
Jason Farago, The Guardian, July 17, 2015 -
“The Freedom Principle” MUSEUM OF CONTEMPORARY ART, CHICAGO
Arielle Bier, ArtForum, July 11, 2015 -
Two Third Ward Exhibitions Show the Importance of Perspective
Kelly Klaasmeyer, Houston Press, May 14, 2014 -
Revise & Consent
Charlie Bier, HoustonMag, April 1, 2011 -
Jamal Cyrus
Cathryn Josefina Merla-Watson, Art Lies, Volume 67 (Fall/Winter), November 1, 2010 -
Lessons From Below: Otabenga Jones & Associates at the Menil Collection, Houston
Jennifer King, Art on Paper, April 1, 2008
